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Gerardo Mosquera
Gerardo Mosquera (Havana, 1945) is a free lance curator and art critic based in Havana, Adjunct Curator at the New Museum of Contemporary Art, New York, advisor at the Rijksakademie van Beeldenden Kunsten, Amsterdam, and member of the advisory board of several art journals. He was a founder of the Havana Biennial, and has curated many exhibitions, including the international urban art event "MultipleCity. ArtePanama 2003", "Panorama da Arte Brasileira Contemporanea" (Sao Paulo, Rio de Janeiro, Recife, Vigo, 2003-2004), "It's Not What You See. Perverting Minimalism" (Madrid, 2000), "Cildo Meireles" (New York, 1999), "Important & Exportant" (2nd. Johannesburg Biennale,1997), Ante America (Bogota, Caracas, New York, San Francisco, San Diego..., 1992-1994). Author of numerous books and texts on contemporary art and art theory, Mosquera co-edited "Over Here. International Perspectives on Art and Culture" (Cambridge, 2004), and edited "Beyond the Fantastic: Contemporary Art Criticism from Latin America" (London, 1995).
Gerardo Mosquera
Biography
Gerardo Mosquera (Havana, 1945) is a free lance curator and art critic based in Havana, Adjunct Curator at the New Museum of Contemporary Art, New York, advisor at the Rijksakademie van Beeldenden Kunsten, Amsterdam, and member of the advisory board of several art journals. He was a founder of the Havana Biennial, and has curated many exhibitions, including the international urban art event "MultipleCity. ArtePanama 2003", "Panorama da Arte Brasileira Contemporanea" (Sao Paulo, Rio de Janeiro, Recife, Vigo, 2003-2004), "It's Not What You See. Perverting Minimalism" (Madrid, 2000), "Cildo Meireles" (New York, 1999), "Important & Exportant" (2nd. Johannesburg Biennale,1997), Ante America (Bogota, Caracas, New York, San Francisco, San Diego..., 1992-1994). Author of numerous books and texts on contemporary art and art theory, Mosquera co-edited "Over Here. International Perspectives on Art and Culture" (Cambridge, 2004), and edited "Beyond the Fantastic: Contemporary Art Criticism from Latin America" (London, 1995).
