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At the core of Catrin Menai’s practice is a search for “a language that falls more freely, like rocks or dust,” as she wrote, in Welsh, in an email a few weeks ago. In ‘ALAW TU HWNT I NI²’ (which continues the inquiries of Catrin’s contribution to TROI, TROSI, a collective research project on which we collaborated last year) she layers poetic fragments, correspondences and archival materials to perform a series of call-and-responses: between languages, eras and geographies, and between Taloi Havini’s Artes Mundi 10 exhibition at Mostyn and Catrin’s own ongoing project of excavating familial memory and ‘knowledge-holding’ across generations.


